fears intransigent calcification pt 1

We needed to begin somewhere.

His memory was as good a place as any.

Her rapture coalesced with her hair in a kind of frothy homogenized violet chatter about the process of grappling engagement with bodily processes especially. Tongue lashing of shared perception (coupling and re-coupling) left A pool of brown-tinged fluid under the school desk he had ducked under until school let out in the abandoned-in-the-afternoon math room. Anus positioned on the apex of tattered epistemological fringe, Dabid described the contents of his vault to a fault. He was suspended – partly because of the zero-tollerance policy on the use of anatomical terms in his IEP.

If the action vocalist wants aims to (imbue) each verbal utterance delivered with perfect reciprocal equilibrium to project the vicarious experience of an auditory still life: (sorry kurt v.). Analogy attempt: As if the viewer experienced applying the paint (or perhaps had been the paint), then conceptual artists work can be critiqued partially based upon its relative transference-ability of its meta-(data, fiction, reality, process).